‘Sthal’: Matchmaking As Performance And The Ritualised Commodification Of WomenBy Reeba Khan 5 min read | May 20, 2025
‘Superboys Of Malegaon’ Review: Tear Jerking Retelling Of Guerilla FilmmakersBy Azdhan 5 min read | Mar 7, 2025
‘Dragon’ (2025) Review: Funniest And Deepest Redemptive Arcs In Recent TimesBy Azdhan 5 min read | Feb 27, 2025
Phones, FOMO, And Fallout: ‘Loveyapa’, The Modern Love StoryBy Shweta Singh 5 min read | Feb 19, 2025
The Womenfolk Of ‘Paatal Lok’: Surviving Patriarchy In A Man’s WorldBy Soumili Paul 5 min read | Jan 28, 2025
‘Santosh’ (2024) Review: Powerful Mirroring Of Darkest Realities In IndiaBy Azdhan 5 min read | Jan 14, 2025
‘Feminist Fathima’ And The Roast Of Patriarchy: A DiscussionBy Adithya Kamesh 7 min read | Jan 3, 2025
The Silencing Of Palestinian Voices, Available Only On NetflixBy Syeda Shua Zaidi 5 min read | Oct 31, 2024
‘The Wild Robot’: A Bumpy Ride Of Sudden Adoptive MotherhoodBy Vishal Sharma 6 min read | Oct 29, 2024
Why Do Indian Historical Films Fail To Re-tell History Authentically?By Santosh Kumar 7 min read | Sep 19, 2024
‘Kill’: A Gory Splatter Fest Rooted In Desi Weapons, Politics And EmotionsBy Sohini Sengupta 8 min read | Jul 15, 2024
‘Kalki 2898 AD’: A Mishmash Of Deja Vu, Big B And Desi CyberpunkBy Sohini Sengupta 8 min read | Jul 8, 2024
‘Varshangalku Shesham’ (2024) Review: Understanding Its Success And Self Mockery By Vidhupriya 5 min read | Apr 22, 2024
